The curse of la llorona movie
Even with its faults and all – The Curse of La Llorona is worth a view.Ĭlarity/Detail: The Curse of La Llorona looks terrific on Blu-ray.
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There’s also a popular children’s lullaby that opens and closes the film that I thought was a great touch to include in the film since it was quite haunting in terms of how it was mixed. If you don’t speak Spanish, I doubt it will make much difference, because folks should be able to follow along without a problem. I believe it should have been its own entity completely separated from that universe.Īs a standard horror film, it’s fine, and I did appreciate the scenes of folks speaking Spanish and not having that be subtitled. I think trying to connect this film with the Conjuring-verse may have hurt it just a tad bit. The film plays it safe, but since there are several scenes that show and imply violence towards children, I can see how it earned its R-rating. There’s an excellent prologue that starts the film off in 1673, and as the legend has it, La Llorona was wronged by her husband and left for a younger and more beautiful woman. My only issue was that, well, it should have had a bit more depth with regards to the folklore than what was presented. Yes, I liked the film and I thought it was cool that one of our most popular folklore tales was made by a major Hollywood studio. Now, my score implies that I liked the film. In any event, La Llorona has finally made her debut on Blu-ray and she’s quite spectacular in high definition. In my case, my folks said that if I misbehaved then the “Cucuy” would get me, which is our version of the Boogeyman. Being Mexican-American, I grew up with La Llorona, although I was not threatened with her wrath if I misbehaved. To say that I was anxious to catch The Curse of La Llorona on the big screen would be an understatement. He’s the Mexican version of a shaman, so he’s got a few tricks up his sleeves against the banshee. Seeking the help of a local curandero, Rafael Olvera (Raymond Cruz), against his better judgement, agrees to help the family. The children are cursed once her spirit is freed and all hell breaks loose on the streets of Los Angeles. She unleashes La Llorona, or as she would be called in English translations, The Weeping Woman. Upon discovering that the children’s mother has them locked in a closet, with the outer door painted up with occultist incantations, Anna unleashes powers beyond her comprehension. In 1973, Anna Tate-Garcia (Linda Cardinelli) is a Los Angeles social worker sent in to investigate and check on the welfare of a couple local kids. She is cursed to roam the Earth in search of other children to take the place of her own children. The story involves a beautiful Mexican mother of two, who murders her children due to her vanity and scorn. This adaptation of the famous Mexican folklore tale is directed by Michael Chaves.
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The Curse of La Llorona is the latest horror film offering from James Wan and company. Their only hope to survive La Llorona’s deadly wrath may be a disillusioned priest and the mysticism he practices to keep evil at bay, on the fringes where fear and faith collide. Ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own small kids are soon drawn into a frightening supernatural realm. In 1970s Los Angeles, La Llorona is stalking the night-and the children. She creeps in the shadows and preys on the children, desperate to replace her own. The timeless Hispanic legend comes to terrifying life in “The Curse of La Llorona.” She is The Weeping Woman and those who hear her death call in the night are doomed.